A Review of methods of producing crackled texture effects in paintings.
- Crackle Paste – A Golden product that requires a rigid substrate and thick application. Doesn’t work on Yupo or paper. Somewhat chalky.
- Kroma Crackle – from Kroma Industries. Relatively new product. Thinner application and can be used on flexible substrate. Takes a long time to dry–even in the winter time with humidity low in the studio. It is somewhat fragile when it starts to dry. Can easily be limited to smaller areas. Dries to a chalky white color, with the darker color underneath as the cracks. Then it can be painted on top as desired, with either watercolor or acrylic paint.
- Crackle Glaze – made by Poly Vine Industries. Designed to be used with flat Latex paint. Gives interesting cracked effect. And looks good, and probably can easily be localized as needed and still look natural.
- Stamping – totally repetitive and no control over size of crackles. The stamp I have has rather large spaces.
- Organic based spray paint over water wetted substrate. Can be on a flexible substrate, but very unstable and fragile till coated with fixative of some sort. I have used this in multiple paintings on Yupo with good, quite subtle results. Generally limited to small areas. Not predictable size of cracks.
- Dirty Pour – simulates crackling a little bit in some areas, but totally unpredictable and very hard to control in all aspects.
- Hand painting … very tedious and almost impossible to get looking natural.
Conclusion: come back next time, hopefully in a few days. In the meantime, thanks for reading, and if you have any questions or additions please comment. The link is just under the title.