Yesterday was another workshop on Acrylic pouring techniques. We started in the morning with 8″ tiles. I did a quick demo using a previously used wood panel. Then I prepared full cups of five paints–white, black, red, yellow and blue. Diluted them with water and PaintEasy, added some silicone, but ran out, so I used some RainX I had.
I did the pour on a sheet of Yupo (26×20″ ) supported on a 3/4″ insulation board. Amazingly this stayed flat during the drying process. I put it out in the sun in the afternoon, but didn’t have it perfectly level, so had a little running before it stabilized. It is still beautiful, especially if you like bright saturated color. Later I tried a pour using some of the same colors but added some metallic bronze as the predominant color, on a 1/2″ Foamcore board. Remind me not to use them again. Within a couple hours it wa shaped like a bowl and the metallic paint seemed to want to turn to mud. Boo hiss!!!!
Just got back from a great experience painting with Helga Flower. (http://www.helgaflower.com/HFBiopage.html and https://www.facebook.com/helga.flower.9)
We played with pouring techniques. She had a piece of thick foamcore board 30×20″ and I decided to try a swipe pour. Mixed up a about three hundred ml of red, yellow, black and white paint with PaintEasy, water and silicone. Everything worked well, and I stabbed into the painting with the edge of a piece of Yupo I was using for the swipe. Only problem that happened was the bending of the Foamcore from the wet media. All the beautiful cells in the lower part didn’t stick around. But, it’s still nice. I’m thinking Yupo may be better for doing large pours because it doesn’t curl when wet.
This is a piece about 9×12 of Yupo that we did a preliminary pour with. It did not curl at all, and didn’t loose any cells over the edge.
This picture was taken just after completing the pour. I had to take it a quite an angle to prevent glaring from the overhead light.
The main star of the show was this piece–30×20″
Again, tremendous glare from the above light, so it’s a little distorted and I got a dark spot (shadow) on the lower right. Helga’s picture later is much better. (She has it posted on her Facebook page.) Since this was on 1/2″ Foamcore board we didn’t think it would bow out, but it sure did, and it lost a lot of the cells on the bottom and in the red area.
We used a formula of 2 parts paint and water mix (the paint I was using was old and quite thick, so I diluted with water to normal fluid acrylic thickness), and then mixed this two parts to one part of PaintEasy. [Or approx 30% PaintEasy and 66% fluid acrylic paint.] PaintEasy is another product that is much thinner than Floetrol, so less water is needed for the final mixture.
Some other pictures from our Soo adventure are here (click on the picture below to see all the others.)
Finished a smaller piece yesterday. Again, this one has had not quite nine lives. But, each layer I’ve added adds to the whole. This one has had water soluble embroidery stabilizer applied over a couple of failed layers. I really will take some pictures of that process and explain it in a future post. Just don’t have the proper documentation right now.
Here’s the piece–I’m calling it “Pollination.” Some of the previous layers show through–only if you know what those previous layers were.
This afternoon I mixed a good amount of paint for pours. I used Dick Blick student grade fluid acrylics. They are quite old and were a little thicker than when purchased a couple years ago, so I mixed a little water in also. I mixed all 5 paints the same way.
1. 60 cc. of paint
2. 30 cc. of PaintEasy
3. 4-5 cc of water as needed to thin it down to what I estimated the original viscosity of the paint was. I used, Titanium White, Ultramarine Blue, Magenta, Chrome Yellow (Probably a Cad Yellow-looks like it) and Mars Black.
4. Added 10-14 drops of Silicone. The silicone I use is from a spray that I spray in a larger bottle and then add to a dropper bottle. This technique keeps from getting all the chemicals in the spray indoors, as I can spray it in the bottle outside.
Here are some pictures of the pieces I did. First though my setup.
You can see from the last two that white is NOT necessary in every pour. You can get cells without the white, and I think they’re even better than with white.
Please add your comment or questions about my techniques.
Many aren’t bothered by the relatively large amount of acrylic paint and thinner/polymer emulsion mixture that is essentially wasted as it runs off a painting. To me, it’s not wasted. Initially I just put some newsprint under my tiles or canvases and threw it away after it was dry. Then I decided to try putting Freezer paper under the canvas and thus able to make use of the pour excess, since other skins I’ve made for collaging were made on freezer paper.
It works pretty well, but there are two things that are quite different from using straight acrylic pain for the skin. 1.) The skins are quite thin when dry and are thus quite fragile. 2.) They take a long time to dry. These two skins I’ve had out in the sun most of the day for almost a week, and they finally have matured/cured enough to remove from the freezer paper. Also I noticed that those skins from FW Acrylic Ink are very brittle and don’t survive removal as well as those from Fluid Acrylics.
So, when trying to salvage some skins for your pours, don’t spread them out. The quite thick puddles will flatten to normal thickness when dry. And, don’t try to remove them until they are finally dry and cured.
Here’s a couple of skins I just today was able to remove from the paper. The first is from fluid acrylics and PaintEasy. It’s quite thin, but will make a good piece in the right spot.
The second is from a pour using FW Acrylic Ink and Floetrol. It is a little thicker, but somewhat brittle and needs to be handled with care. It too will make a good piece in the right spot. It is a little smaller (about 5×3″) than the first and quite a bit more shinny than the first.
Have you tried saving these for late use in paintings? Let me know.
After seeing how the acrylic ink pours that I did a couple days ago dried and looked when dry, I decided to try some more. This time I was a little more careful of how much Floetrol I added. I used about 30-35% Floetrol, since the FW Inks are so heavily pigmented. I added about 10 drops of silicone. (Since I had so much silicone spray, I collected the spray in a bottle with a dropper, outdoors, for more accurate application, and less air pollution indoors when using it. ) Even with that much diluent the colors are dark and bright appearing.
The first pour was a swipe pour on a piece of gessoed mat board, about 11×14″ (27×35 cm) I had stapled to a paint board. I think pouring on a paper base, instead of a non-absorbent surface like a tile, hastens the drying process immensely. The same applies to using canvases, but when it’s dry there’s no canvas pattern showing.
I still had quite a bit of paint left, so did a dirty pour on an 8″ tile. The excess paint that ran off from that pour is very interesting, and I’ll leave it on the Freezer Paper to dry and peel off in a couple days.
Still had some paint left–gee, does it reproduce and multiply in the cup? So did a 4″ tile. Didn’t have but a few drops of the red left, so it doesn’t show.
Will be interesting what these look like in a couple days when they’re dry. I’ll post some more pictures then.
We spent all day working with acrylic pours. My first demo of this was yesterday (first image below), and today I initially went over the steps in detail, then decided to experiment a bit–did a demo using FW Acrylic Ink mixed with Floetrol. Used all ink, including the white. Since the inks were less viscous than the mixed acrylic paint, I decided that the addition of the thicker Floetrol would be better. It worked fantastically, drawing ooh’s from the gals watching. And the cells remained pretty stable. I must admit it did use a good 10 drops of Silicone. (Second image below)
We had three different kinds of mixtures being used today, all giving about equally good results. One was using PVA glue mixed with water and liquid Silicone. Another was using PaintEasy and silicone spray, I was using acrylic inks and Floetrol. The determining factors in the types and sizes of cells seemed to be three things–one the thickness or viscosity of the acrylic mixture, and two, the amount of paint used, and thirdly, to a lesser degree, the amount of silicone used.
Some images of different pours.
Sue Swipe Pour Paint Easy
Beautiful pour, using Pain Easy. She initially had problems swiping it, but after a couple trys and adding more paint got this beautiful result.
Linda Swipe Pour
This is a swipe pour using PVA glue (Elmers) diluted with water and thinner tube paints and silicone.
My Swipe Pour
I this swipe pour as a demo. Used FW Acrylic ink and Floetrol and silicone. It was on a rather thin hardboard that I had a couple coats of gesso on from and back.
Marge Dirty Pours
This was using PVA glue and spray silicone, pour done on an 8" tile.
8/23 Colorful Driveway Again
A little windy today also. But beautiful cloudless sky that dried things well.
Tomorrow we’re going to be using the collage papers from yesterday to do an abstract image, inspired by a photograph from me.
Today was the first day of my 3 day abstract/experimental art workshop. Trying to get everybody loosened up and to think and look at images as non-real things is difficult. Today we did collage papers for use in doing a painting of an abstract image. (See my gallery of Abstract Images as some are in there.)
The gals really worked hard today. Here’s a few shots of the work.
Before / After
Lots of supplies and equipment filled up the garage.
Here's a Lot Of Color
A good variety of types of paint. Helps making abstract/experimental images easier and better. Good notes help too.
Making Collage Paper
Using acrylics to make new collage papers for use later on.
New Collage Papers
Every Space Filled
Need lots of room for all the paint and supplies.
Collage Papers Drying In Sun
It was quite windy out for these light papers and plastic, so we had to weigh down all corners to keep them from being blown away.
I entered this piece in this year’s ISEA exhibition at BigArts in Sanibel, FL and received notice last week that it was accepted. So, now the process of varnishing, framing, packing and mailing it off starts. It was started on my spinner after coating the whole piece of Yupo with black gouache and then applying fluid acrylics on top. When they were thoroughly dry I hosed off most of the gouache, and then enhanced some of the other areas by hand painting.
This piece I started a couple winters ago, by copying shadows cast by a bush outside with an early winter sun. But it just didn’t seem to work. So after experimenting recently with water soluble embroidery stabilizer I applied that over the previous working using a somewhat dilute gesso. This created a great texture as well as subduing many of the lines. Some, I repainted to emphasize them. Just varnished it today, and I have a black frame I’ll mount it in for hanging.