The Soo Experience

Just got back from a great experience painting with Helga Flower.  (http://www.helgaflower.com/HFBiopage.html   and  https://www.facebook.com/helga.flower.9)

We played with pouring techniques. She had a piece of thick foamcore board 30×20″ and I decided to try a swipe pour.  Mixed up a about three hundred ml of red, yellow, black and white paint with PaintEasy, water and silicone.  Everything worked well, and I stabbed into the painting with the edge of a piece of Yupo I was using for the swipe.   Only problem that happened was the bending of the Foamcore from the wet media. All the beautiful cells in the lower part didn’t stick around. But, it’s still nice.  I’m thinking Yupo may be better for doing large pours because it doesn’t curl when  wet.

This is a piece about 9×12 of Yupo that we did a preliminary pour with. It did not curl at all, and didn’t loose any cells over the edge.

This picture was taken just after completing the pour.  I had to take it a quite an angle to prevent glaring from the overhead light.

The main star of the show was this piece–30×20″

Again, tremendous glare from the above light, so it’s a little distorted and  I got a dark spot (shadow) on the lower right.  Helga’s picture later is much better.  (She has it posted on her Facebook page.) Since this was on 1/2″ Foamcore board we didn’t think it would bow out, but it sure did, and it lost a lot of the cells on the bottom and in the red area.

We used a formula of 2 parts paint and water mix (the paint I was using was old and quite thick, so I diluted with water to normal fluid acrylic thickness),  and then mixed this two parts to one part of PaintEasy.  [Or approx 30% PaintEasy and 66%  fluid acrylic paint.]  PaintEasy is another product that is much thinner than Floetrol, so less water is needed for the final mixture.

Some other pictures from our Soo adventure are here (click on the picture below to see all the others.)

Thanks for looking.  Comment?

Pollination

Finished a smaller piece yesterday. Again, this one has had not quite nine lives. But, each layer I’ve added adds to the whole.  This one has had water soluble embroidery stabilizer applied over a couple of failed layers.  I really will take some pictures of that process and explain it in a future post. Just don’t have the proper documentation right now.

Here’s the piece–I’m calling it “Pollination.”  Some of the previous layers show through–only  if you know what those previous layers were.

Multi layered piece 14×11″

Critique?

Afternoon Pours

This afternoon I mixed a good amount of paint for pours. I used Dick Blick student grade fluid acrylics. They are quite old and were a little thicker than when purchased a couple years ago, so I mixed a little water in also.  I mixed all 5 paints the same way.
1. 60 cc. of paint
2. 30 cc. of PaintEasy
3. 4-5 cc of water as needed to thin it down to what I estimated the original viscosity of the paint was. I used, Titanium White, Ultramarine Blue, Magenta, Chrome Yellow (Probably a Cad Yellow-looks like it) and Mars Black.
4. Added 10-14 drops of Silicone. The silicone I use is from a spray that I spray in a larger bottle and then add to a dropper bottle. This technique keeps from getting all the chemicals in the spray indoors, as I can spray it in the bottle outside.

Here are some pictures of the pieces I did. First though my setup.

This shows my setup for the pours. The table in the distance is for collecting the completed pieces. It is very level.
This was my first pour today. White, yellow and red. Added a couple drops of red and black afterwards.
Swipe pour on a piece of hardboard that had been sealed with Gesso, and then i sanded the Gesso.
Was running out of white, so mostly yellow and black and some blue and a couple drops of red and white.
This was the last pour I did from that same mix of paint. Only had a few drops of white, lots of black and a little red and blue in the mix. This actually is an 8″ tile, but distorted because of the angle I had to take it to avoid reflections. I corrected it some, but didn’t want to loose any of it. I’ll get a better shot when it’s dry.
This is a shot of multiple drips from multiple pours this afternoon.

You can see from the last two that white is NOT necessary in every pour.  You can get cells without the white,  and I think they’re even better than with white.

Please add your comment or questions about my techniques.

Acrylic Skins From Dirty Pours

Many aren’t bothered by the relatively large amount of acrylic paint and thinner/polymer emulsion mixture that is essentially wasted as it runs off a painting.  To me, it’s not wasted. Initially I just put some newsprint under my tiles or canvases and threw it away after it was dry.  Then I decided to try putting Freezer paper under the canvas and thus able to make use of the pour excess, since other skins I’ve made for collaging were made on freezer paper.

It works pretty well, but there are two things that are quite different from using straight acrylic pain for the skin.  1.) The skins are quite thin when dry and are thus quite fragile. 2.) They take a long time to dry. These two skins I’ve had out in the sun most of the day for almost a week, and they finally have matured/cured enough to remove from the freezer paper.  Also I noticed that those skins from FW Acrylic Ink are very brittle and don’t survive removal as well as those from Fluid Acrylics.

So, when trying to salvage some skins for your pours, don’t spread them out. The quite thick puddles will flatten to normal thickness when dry.  And, don’t try to remove them until they are finally dry and cured.

Here’s a couple of skins I just today was able to remove from the paper.  The first is from fluid acrylics and PaintEasy. It’s quite thin, but will make a good piece in the right spot.

Acrylic skin from a Dirty Pour about a week ago. It is about 6 inches in size.

The second is from a pour using FW Acrylic Ink and Floetrol. It is a little thicker, but somewhat brittle and needs to be handled with care. It too will make a good piece in the right spot. It is a little smaller (about 5×3″) than the first and quite a bit more shinny than the first.

From acrylic pour using FW Acrylic Ink

Have you tried saving these for late use in paintings? Let me know.

A couple more Acrylic Pours with Inks

After seeing how the acrylic ink pours that I did a couple days ago dried and looked when dry, I decided to try some more.  This time I was a little more careful of how much Floetrol I added.  I used about 30-35% Floetrol, since the FW Inks are so heavily pigmented.  I added about 10 drops of silicone.  (Since I had so much silicone spray, I collected the spray in a bottle with a dropper, outdoors, for more accurate application, and less air pollution indoors when using it. ) Even with that much diluent the colors are dark and bright appearing.

The first pour was a swipe pour on a piece of gessoed mat board, about 11×14″ (27×35 cm) I had stapled to a paint board.  I think pouring on a paper base, instead of a non-absorbent surface like a tile, hastens the drying process immensely. The same applies to using canvases, but when it’s dry there’s no canvas pattern showing.

First Pour – A swipe pour using Acrylic Inks, Floetrol and silicone.

I still had quite a bit of paint left, so did a dirty pour on an 8″ tile. The excess paint that ran off from that pour is very interesting, and I’ll leave it on the Freezer Paper to dry and peel off in a couple days.

Second pour –same paints as first one.
Runoff from 2nd tile pour.

Still had some paint left–gee, does it reproduce and multiply in the cup? So did a 4″ tile. Didn’t have but a few drops of the red left, so it doesn’t show.

Leftover paint from two previous pours–this is a 4×4″ tile. Acrylic ink and Floetrol and silicone.

Will be interesting what these look like in a couple days when they’re dry.  I’ll post some more pictures then.

Last Day of Workshop and next day

Day three was spent on collage, mainly using the collage papers that we did on the 2nd day. Everybody seemed very successful.

Here’s the piece I worked on;

At the end of the workshop – day 3

Then today, it was very quiet and I still had my stuff ready to work on, so I almost finished it. Still have a few more pieces to add.

Worked on my own today. Quiet around

Day Two – Acrylic Pours

We spent all day working with acrylic pours. My first demo of this was yesterday (first image below), and today I initially went over the steps in detail, then decided to experiment a bit–did a demo using FW Acrylic Ink mixed with Floetrol. Used all ink, including the white. Since the inks were less viscous than the mixed acrylic paint, I decided that the addition of the thicker Floetrol would be better. It worked fantastically, drawing ooh’s from the gals watching. And the cells remained pretty stable. I must admit it did use a good 10 drops of Silicone. (Second image below)

We had three different kinds of mixtures being used today, all giving about equally good results. One was using PVA glue mixed with water and liquid Silicone. Another was using PaintEasy and silicone spray, I was using acrylic inks and Floetrol. The determining factors in the types and sizes of cells seemed to be three things–one the thickness or viscosity of the acrylic mixture, and  two, the amount of paint used, and thirdly, to a lesser degree, the amount of silicone used.

Some images of different pours.

 

Tomorrow we’re going to be using the collage papers from yesterday to do an abstract image, inspired by a photograph from me.

Workshop Time

Today was the first day of my 3 day abstract/experimental art workshop. Trying to get everybody loosened up and to think and look at images as non-real things is difficult. Today we did collage papers for use in doing a painting of an abstract image. (See my gallery of Abstract Images as some are in there.)

The gals really worked hard today. Here’s a few shots of the work.

Recent Activity

I entered this piece in this year’s ISEA exhibition at BigArts in Sanibel, FL and received notice last week that it was accepted. So, now the process of varnishing, framing, packing and mailing it off starts. It was started on my spinner after coating the whole piece of Yupo with black gouache and then applying fluid acrylics on top. When they were thoroughly dry I hosed off most of the gouache, and then enhanced some of the other areas by hand painting.

Lines from plant shadows

This piece I started a couple winters ago, by copying shadows cast by a bush outside with an early winter sun. But it just didn’t seem to work. So after experimenting recently with water soluble embroidery stabilizer I applied that over the previous working using a somewhat dilute gesso. This created a great texture as well as subduing many of the lines. Some, I repainted to emphasize them. Just varnished it today, and I have a black frame I’ll mount it in for hanging.

Acrylic Pouring


This seems to be the newest fad in acrylic painting. It can produce some beautiful pieces. It’s easy to do on a small scale, but very difficult on larger canvases. I did this using acrylic paint and Paint Easy to thin the paint, and silicone spray. I have not seen any mention of using Paint Easy to thin the paint, but it seemed to work well. It’s made by Wagner Spray Tech Corp, and can be purchased at Walmart stores. Another diluent is Floetrol by Flood, which is made by PPG. I just purchased some from Amazon, but I think Home Depot sells it also.

These are 8″ tiles (doesn’t matter what color they are). I then varnished a couple coats with Golden Polymer Varnish with UVLS. I like this varnish–produces no brush strokes and is an archival finish that can be removed and replaced if dirty after years of display. One piece of advice–photograph them before varnishing them, particularly if you use a glossy varnish. It’s very difficult to get rid of the shiny highlights from your photograph if it was taken after varnishing.

This is a very unpredictable way of doing paintings, and I’d like to find a way to make better designed paintings with it. I’ll keep working on it. Check out the other couple other images in my gallery of paintings also.